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    Slaves, Masters And, the Art of Authority in Plautine Comedy

  2. Female Acts in Greek Tragedy
    Female Acts in Greek Tragedy

  3. The Collected Works of Samuel Taylor Coleridge: Poetical Works III: Plays Vol 16 (Bollingen S.)
    The Collected Works of Samuel Taylor Coleridge: Poetical Works III: Plays Vol 16 (Bollingen S.)

  4. Much Ado About Nothing: Screenplay
    Much Ado About Nothing: Screenplay

  5. The Birth of Shylock and the Death of Zero Mostel: The Diary of a Play
    The Birth of Shylock and the Death of Zero Mostel: The Diary of a Play

  6. The Gazelles and Other Plays
    The Gazelles and Other Plays

  7. Shakespeare on Love: A Personal Selection by Simon Callow
    Shakespeare on Love: A Personal Selection by Simon Callow

  8. William Shakespeare Quotations (Famous Personality Quotations S.)
    William Shakespeare Quotations (Famous Personality Quotations S.)

  9. Five Restoration Comedies (New Mermaid S.)
    Five Restoration Comedies (New Mermaid S.)

  10. The Knight of the Burning Pestle (New Mermaid S.)
    The Knight of the Burning Pestle (New Mermaid S.)

  11. Love for Love (New Mermaid S.)
    Love for Love (New Mermaid S.)

  12. A Chaste Maid in Cheapside (New Mermaids)
    A Chaste Maid in Cheapside (New Mermaids)

  13. The Critic (New Mermaids)
    The Critic (New Mermaids)

  14. The Revenger's Tragedy (New Mermaids)
    The Revenger's Tragedy (New Mermaids)

  15. The Changeling (New Mermaids)
    The Changeling (New Mermaids)

  16. The Duchess of Malfi (New Mermaids)
    The Duchess of Malfi (New Mermaids)

  17. An Ideal Husband (New Mermaids)
    An Ideal Husband (New Mermaids)

  18. Women Beware Women (New Mermaids)
    Women Beware Women (New Mermaids)

  19. The Provoked Wife (New Mermaids)
    The Provoked Wife (New Mermaids)

  20. White Devil (New Mermaids)
    White Devil (New Mermaids)

  21. The Roaring Girl (New Mermaids)
    The Roaring Girl (New Mermaids)

  22. Tamburlaine: Pts.1 & 2 (New Mermaids)
    Tamburlaine: Pts.1 & 2 (New Mermaids)

  23. The Witch of Edmonton (New Mermaids)
    The Witch of Edmonton (New Mermaids)

  24. The School for Scandal (New Mermaids)
    The School for Scandal (New Mermaids)

  25. The Old Wives' Tale (New Mermaids)
    The Old Wives' Tale (New Mermaids)

Slaves, Masters, and the Art of Authority in Plautine Comedy
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    Slaves, Masters, and the Art of Authority in Plautine Comedy
    Kathleen McCarthy
    Manufacturer: Princeton University Press
    ProductGroup: Book
    Binding: Paperback

    Greek & RomanGreek & Roman | Drama | Literature & Fiction | Subjects | Books
    GeneralGeneral | Literature & Fiction | Subjects | Books | Classics | Comic | Contemporary | Literary
    GeneralGeneral | Criticism & Theory | History & Criticism | Literature & Fiction | Subjects | Books
    GeneralGeneral | Poetry | Literature & Fiction | Subjects | Books
    GreekGreek | Classics | Literature & Fiction | Subjects | Books
    ASIN: 0691117853

    Book Description

    What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure.

    Basing her interpretation on the workings of farce and naturalism in Plautine comedy, McCarthy finds a way to understand the plays' patchwork literary style as well as their protean social effects. Beyond this, she raises important questions about popular literature and performance not only on ancient Roman stages but in cultures far from Plautus' Rome. How and why do people identify with the fictional figures of social subordinates? How do stock characters, happy endings, and other conventions operate? How does comedy simultaneously upset and uphold social hierarchies? Scholars interested in Plautine theater will be rewarded by the detailed analyses of the plays, while those more broadly interested in social and cultural history will find much that is useful in McCarthy's new way of grasping the elusive ideological effects of comedy.

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    1. The Nativity
    2. Simon Gray Key Plays: "Butley", "Otherwise Engaged", "Quartermain's Terms", "Close of Play", "Late Mi
    3. Cloud Nine (Acting Edition S.)
    4. The Visitor (Acting Edition S.)
    5. Ernie's Incredible Illucinations (Acting Edition S.)
    6. A Companion to Shakespeare's Works: The Tragedies Vol 1 (Blackwell Companions to Literature & Culture S.)
    7. Slaves, Masters And, the Art of Authority in Plautine Comedy
    8. Complete Prefaces: 1930-50 v. 3
    9. Ring of the Nibelung: "Gotterdammerung"
    10. The Magnetic Lady (Revels Plays S.)

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