The Great American Yard Sale
Editorial Reviews He supported Big Lonesome Radio with a heavy touring schedule, sharing stages with the likes of Jimmie Vaughan, Junior Brown, Alejandro Escovedo, The Asylum Street Spankers, and Roy Bookbinder. Lemhouse has crisscrossed the country, performing as a main stage act at such festivals as the prestigious Heritage Music Festival, the Portland Waterfront Blues Festival, Pickathon, and the King Biscuit Blues Festival, as well as playing clubs, coffeehouses, dives, honky tonks, and the star-studded 2004 Handy Awards Show – all of it with nothing more than his great songs and outstanding guitar work. Big Lonesome Radio was acclaimed by MOJO Magazine as one of the Top 10 albums of the year in its genre, charted as #4 overall in the Roots Music Radio Report and was heralded by Sing Out! Magazine as the work of a "stellar songwriter and guitarist." Lemhouse’s haunting waltz "Edwin’s Lament" confirmed such an accolade when it was included in John Singleton’s ("Boyz ‘n the Hood") new film production, "Hustle and Flow." The placement is no small achievement, considering that the film earned both the Dramatic Audience and Cinematography awards at 2005’s Sundance Film Festival, and is currently being released nationwide by Paramount/MTV. Although he’s earned acclaim in the blues world and that music lies at the heart of his style, Lemhouse looks far beyond the Delta in his highly anticipated new Yellow Dog release. When someone tries to pin Lemhouse down, asking what type of music he plays, the singer-guitarist often quotes his friend Alvin Youngblood Hart, himself echoing Duke Ellington: "Good Music." The Great American Yard Sale is much, much better than good, as the genre-defying guitarist plugs in and heads out to edgy Americana territory, armed with banjo and electric lap steel as well as his deftly fingerpicked National guitar. Even as he broadens his musical palette, Lemhouse’s eclectic formula of songwriting and guitar work places you in the middle of a world that’s as confounding as it is redeeming. With material that reflects the eye of a seasoned traveler, his songs run the gamut of love, insanity and hard-won life lessons. As Lemhouse offered in a recent interview; "Well, I just write about things the way they happened... But I lie too. If they don’t happen that exact way, I’ll start makin’ stuff up in a heartbeat... It’s a song, not a police report, at least not yet anyway." The "Yard Sale" of the album’s title suggests the diversity of the album’s musical mix, which simultaneously reflects and upends influences ranging from Dock Boggs to Johnny Cash to Tom Waits. For Mark Lemhouse, it’s OK to look back as long as you don’t stare, and the voice most clearly heard is his own. Strong, new originals like "Scarlet", "Paper Sack", and "Never Me" explore dark themes of addiction and self-destruction, while "The Queen of Easy Street" and "You’re a Bastard" bristle with Lemhouse’s trademark brand of wry humor. Iconic and ironic, Great American Yard Sale is sure to become a modern roots classic.
<"b000a9qkdm2999"> About the Artist
Fresh off the bus in Memphis Tennessee, Mark Lemhouse arrived in the Home of the Blues armed with a guitar style that echoed Beale Street’s acoustic blues legends, but in service to a distinctly contemporary songwriting voice filtering the emotion of Hank Williams Sr. through the attitude of Tom Waits. He quickly set himself apart from the traditionalist pack, earning recognition as a top-shelf songwriter and guitar player. His debut album, Big Lonesome Radio, earned two 2004 W.C. Handy Award Nominations (the "Grammy" of the roots Blues genre) for "Acoustic Album of the Year" and "Best New Artist Debut".
<"b000a9qkdm4999"> Album Description
Mark Lemhouse’s debut album, Big Lonesome Radio, breathed fresh air into the traditional blues world, earning a pair of Handy award nominations including "Best New Artist Debut." But like the great roots innovators who inspired him, Mark Lemhouse is a restless spirit who can’t be confined to any one corner of the Americana landscape. His highly-anticipated follow-up, The Great American Yard Sale, finds the genre-defying guitarist plugging in and heading out to the Great Wide Open, armed with banjo and electric lap steel as well as his deftly fingerpicked National guitar.
The Great American Yard Sale, Music, Mark Lemhouse, Blues, Electric Memphis Blues, Pop, United States of America, With distant roots in the blues, a distinctly contemporary songwriting voice filtering the emotion of Hank Williams Sr. through the attitude of Tom Waits.
Music:
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