Little Car Blues
Editorial Reviews
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J. Geils and Magic Dick's debut duo recording, 1994's Bluestime, was a straightforward tribute to hard-core Chicago blues, but the follow-up, Little Car Blues, embraces such far-flung blues offshoots as Kansas City jump, Duke Ellington swing, Louis Armstrong hot jazz, Etta James R&B, and Marvin Gaye soul. If the truth be told, Geils and Magic Dick are much more enjoyable as generalists than as specialists, for they can't compete with the top artists in any one genre but they cover many styles better than most. Magic Dick is a gifted harp blower, especially when he's imitating old jazz solos by Armstrong or Charlie Parker, with a quicksilver phrasing and big, reedy tone. Geils isn't particularly fast or flashy a guitarist, but he has a rare rhythmic instinct that makes the swing and jump of his tunes lively indeed. --Geoffrey Himes
Little Car Blues, Music, Magic Dick And Jay Geils, Blues, Blues Music, Blues-Rock, Modern Electric Blues, Pop
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