Midnight Stroll

Midnight Stroll

Editorial Reviews
<"b000001fyw7580"> Amazon.com essential recording
Robert Cray adds a bit more soul to the mix on this album, which features the Memphis Horns most prominently. Most of the songs are Cray doing what Cray does best--slow, soulful, done-me-wrong (or, alternatively, I-done-wrong) songs chock full of great guitar. No complaints there, and when he adds a bit of vocal growl here and there, as on the album opener "The Forecast (Calls for Pain)" (also featuring some excellent bass from Richard Cousins), and the slow shuffle "Holdin' Court," it keeps things interesting. This album indicates a slight shift in Cray's direction; although he's always included a touch of soul in his blues, here it's more pronounced than before, a tendency he continued in subsequent recordings. --Genevieve Williams --This text refers to the Audio CD edition.

<"b000001fyw5228"> From Grove Press Guide to Blues on CD
This album was honed by months on the road. By now the Memphis Horns receive star billing and achieve a perfect marriage with Cray's sound. Original members Peter Boe and David Olson are gone, and new keyboardist Jimmy Pugh favors a Hammond B-3 organ over synthesizers, a welcome move. Second guitarist Tim Kahaitsu offers interesting interplay with Cray. Also, Cray finally pushes his vocals over the edge. Highlights are "Bouncin' Back" and "Consequences." (J.G.) See also Albert Collins/Robert... read more --This text refers to the Audio CD edition.