Live at the Circle Room [Live]

Live at the Circle Room [Live]

Editorial Reviews
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We all know that in addition to Nat "King" Cole being one of the most important American vocalists, he was also one of the most influential jazz pianists of all time, as this unearthed air check from a live 1944 Milwaukee club date so brilliantly demonstrates. With his drumless trio consisting of the fleet-fingered guitarist Oscar Moore and bassist Johnny Miller's supple support, Cole's Alabama-inflected, vibrant vocals on standards like the danceable uptempo "Oh, But I Do," "It's Only a Paper Moon," and the ballads "Sweet Lorraine" and "I Don't Know Why (I Just Do)" ring with an intimacy that was eclipsed in the more elaborate recordings of the '50s and '60s. Instrumentally, Cole's Earl Hines-derived, hornlike pianisms; Moore's elegant, twangy chords; and Miller's sturdy, walking bass lines swing Duke Ellington's "C-Jam Blues," Count Basie's "One O'Clock Jump," and the immortal "Sweet Georgia Brown" with a svelte simplicity that dances as well as trances, and reveals the vocal and instrumental roots of many jazz artists, including Diana Krall, Ahmad Jamal, and Monty Alexander. --Eugene Holley Jr.

Live at the Circle Room, Music, Nat King Cole Trio, Jazz, Jazz Music, Pop, Swing, Traditional Pop, Vocal

Live at the Circle Room [Live]

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