Babbitt: Around The Horn/Four Cavalier Settings/None But The Lonely Flute/Whirled Series/Homily/Beaten Paths/Play It
On this CD:
1. Around the horn
Composed by Milton Babbitt
Performed by William Purvis
2. Cavalier Settings (4) for voice & guitar To Electra
Composed by Milton Babbitt
Performed by William Anderson, Neil Farrell
3. Cavalier Settings (4) for voice & guitar A Song
Composed by Milton Babbitt
Performed by William Anderson, Neil Farrell
4. Cavalier Settings (4) for voice & guitar Anacreontic
Composed by Milton Babbitt
Performed by William Anderson, Neil Farrell
5. Cavalier Settings (4) for voice & guitar To Sycamores
Composed by Milton Babbitt
Performed by William Anderson, Neil Farrell
6. None but the Lonely Flute, for flute
Composed by Milton Babbitt
Performed by Rachel Rudich
7. Whirled Series, for saxaphone & piano
Composed by Milton Babbitt
Performed by Charles Abramovic, Marshall Taylor
8. Homily, for snare drum
Composed by Milton Babbitt
Conducted by Peter Jarvis
9. Beaten Paths, for marimba
Composed by Milton Babbitt
Performed by Thomas Kolor
10. Play It Again Sam, for viola
Composed by Milton Babbitt
Performed by Lois Martin
11. Soli e Duettini for flute & guitar
Composed by Milton Babbitt
Performed by Susan Palma, David Starobin
12. Melismata, for violin
Composed by Milton Babbitt
Performed by Curtis Macomber
13. On Having Been and Still Being an American Composer (spoken)
Composed by Milton Babbitt
Performed by Milton Babbitt
Babbitt: Around The Horn/Four Cavalier Settings/None But The Lonely Flute/Whirled Series/Homily/Beaten Paths/Play It, Music, Marshall Taylor, Milton Babbitt, Peter Jarvis, Rachel Rudich, Susan Palma, David Starobin, William Anderson, William Purvis, Charles Abramovic, Neil Farrell, Lois Martin, Curtis Macomber, Chamber, Chamber Music, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Miscellaneous, Miscellaneous Music, Solo for Voice and Guitar, Vocal
Music Review:
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"Hello Paris" Anthologie Vol 2 [Import]
Richard Strauss: Symphony Op. 12/Waltzes Op. 6
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