DVD
- Police Academy 7 [1994]
- Party Girl (REGION 1) (NTSC)
- Gridlock'd [1997] (REGION 1) (NTSC)
- That's Life (REGION 1) (NTSC)
- Parents
- Killing of Sister George
- Much Ado About Nothing (Jewl) [1993] (REGION 1) (NTSC)
- Comedy's Dirtiest Dozen
- Mrs. Doubtfire [P&S] (REGION 1) (NTSC)
- Plymptoons: The Complete Works of Bill Plympton
- Angel's Dance
- The Irish Comedians Live
- American Pie/Half Baked [2 Discs] [1999] (REGION 1) (NTSC)
- Someone Like You/Where the Heart Is [2 Discs] [2001] (REGION 1) (NTSC)
- Lucinda's Spell
- Patch Adams/Happy Gilmore [2 Discs] [1999] (REGION 1) (NTSC)
- Fierce Creatures (Jewl) [1997] (REGION 1) (NTSC)
- Four Weddings and a Funeral [1994]
- Mic and the Claw (REGION 1) (NTSC)
- Eurotrip/Road Trip [Unrated] [2 Discs] [2000] (REGION 1) (NTSC)
- Boy and His Dog [Special Edition]
- Tommy Boy [1995] (REGION 1) (NTSC)
- Fishing With Gandhi (REGION 1) (NTSC)
- High School Ghosthustlers (REGION 1) (NTSC)
- Night That Never Happened
Average customer rating:
- Sets the benchmark for Police Parody...
- Comedy Genius - Good Production
- greatest movie of all time
- Rated F - For Funny!
- Worst TV-to-Film Ripoff Since Battlestar Gallactica
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Reno 911! - Miami (Unrated Edition)
Starring: Kerri Kenney , Paul Rudd , Mary Birdsong , Niecy Nash , and Carlos Alazraqui
Director: Robert Ben Garant
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD
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Similar Items:
- Reno 911! - The Complete Fourth Season (Uncensored)
- Ghost Rider (Two-Disc Extended Cut)
- Shooter (Widescreen Edition)
- Black Snake Moan
- Smokin' Aces (Widescreen Edition)
ASIN: B000PISZ8Q
Release Date: 2007-06-19 |
Amazon.com
For Reno 911 fans who believe that Comedy Central's improv-driven mock-reality series could benefit from more unbleeped profanity, uncensored sex scenes, and nudity, the feature-length R-rated Miami will be just the ticket. Perhaps less a movie than it is a Very Special Episode, Miami transplants short-shorts-bedecked Lt. Dangle (Thomas Lennon) and company to Miami for the American Police Convention ("They invited everybody"). No sooner can you say "bio-terrorism" than the hotel is quarantined, and Wahoe County's hapless misfits, shut out when their credentials can't be found, must step in and save the city from "complete chaos." Complete chaos ensues. As with the series, Miami unfolds in a series of hit and miss bits. The funniest are those that hew closest to the Cops template, such as an early "814" call that does not, as the officers believe, decode as armed intruder, but actually involves a loose chicken, and an encounter with a taunting good ol' boy who, when faced with an alligator in a swimming pool, boldly goes where officers Jones (Cedric Yarbrough) and Garcia (Carlos Alazraqui) fear to tread.
Happily, as was not the case with Borat, no innocent or unsuspecting citizens were emotionally harmed during the making of this movie. All of the jokes and humiliations are at the Reno squad's expense. Miami benefits from some subtle (and not so subtle) stunt casting, including Patton Oswalt (The King of Queens) in a small but pivotal role as the deputy assistant mayor, and Dwayne "The Rock" Johnson's hilarious, albeit short-lived cameo as a gung-ho bomb squad leader. It is a tribute to the crack ensemble that Reno's intimately etched characters do not need much of an introduction, and can be appreciated by those who have not seen the show. But longtime viewers are issued this warning that Miami crosses with even more impunity the thin blue line of good taste. A Rear Window homage in which we view each officer indulging in some alone time in their fleabag motel rooms may not be as bad as Borat's wrestling match, but really, there ought to be a law! --Donald Liebenson
Description
The story centers on a rag-tag team of Reno cops that are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. They're not the best, but that's all we got. Based on the successful Comedy Central TV series.
Customer Reviews:
Sets the benchmark for Police Parody..........2007-07-03
With earlier reviews that have been posted, it's just not necessary for me to delve into specifics about the why I enjoyed this movie. If you enjoy dry, dark, and crude humour, this movie is for you.
Enough said.
Comedy Genius - Good Production.......2007-07-02
Whoever gives this movie less than a full 5 stars is a comedic idiot. Do you know how rare it is for a TV show of this variety to succeed at all in adapting their material to the big screen? Let alone do it with the cohesiveness and consistency that this movie pulls off? It is done in mini comedy vignettes, just like the TV show, and manages to stay hilarious for 99% of the movie. And I'm tough. This blows away any comedy in recent memory and even beats the readily compared super troopers by a long shot. A real long shot. In short, as long as you don't have a limited social filter when rating your enjoyment of movies, you really can't lose with this comedy.
greatest movie of all time.......2007-07-02
this movie is hilllarious, its not exactly like the show, but has some of the same elements, but they made it feel a little more like a movie on parts, the features on the unrated dvd are great, and its in widescreen and the theatrical is in fullscreen only, i was highly impressed with that
Rated F - For Funny!.......2007-07-02
In "Reno 911!: Miami," Lieutenant Jim Dangle (Thomas Lennon) takes "the stupidest group of people I've ever worked with who are not legally retarded" (his quote) to a national police convention in Miami Beach during spring break. Unfortunately, they discover that they are not on the list of invited police groups. After a night of heavy drinking and sexual debauchery in a fleabag motel, they return to the convention, and learn that the other police groups are quarantined in their fancy hotel because of some biohazardous material. The Reno Sheriff's Department have greatness thrust upon them, becoming the thin blue line that separates Miami from chaos.
Apart from several police cars crashing into each other as they leave the station house, and a local citizen being killed by an alligator, things proceed smoothly. Unless you take into account Deputy James Garcia (Carlos Alazraqui) and Deputy S. Jones (Cedric Yarbrough) continually being kidnapped by a drug lord, and Deputy Travis Junior (Robert Ben Garant) ending up in the guts of a dead whale. Not to mention Lieutenant Jim Dangle and Deputy Travis Junior doing a striptease at a rapper's party, and Deputy Trudy Wiegel (Kerry Kenney-Silver) blowing up a police car with the deputy mayor in it. Trust me, Lieutenant Dangle and company save the day, and triumphantly return to the city they love. As Deputy Travis Junior said, "Reno is a lot like Mayberry on the TV, except that everyone's on crystal meth, and prostitution's legal."
Worst TV-to-Film Ripoff Since Battlestar Gallactica.......2007-06-30
At it's best, the film is as funny as the TV show but due to the different venue, it was raunchier. As a whole, however, this is just a longer but less funny version of the television program. The story line is full of holes, the writing is of uneven quality. I have DVDs of the television series and have watched them more than once. I doubt that I will ever bother to watch this version again.
Average customer rating:
- should be retitled "Zeta-Jones's Twelve"
- This is lazy `sequel' that tends to do nothing but bring back a bunch of celebrities
- Boring...
- oh come on george clooney is in it
- one of the worst sequels ever
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Ocean's Twelve
Starring: Brad Pitt , Catherine Zeta-Jones , George Clooney , Ed Kross , and Julia Roberts
Director: Steven Soderbergh
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD
Crime
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Julia Roberts
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Affleck, Casey
| ( A )
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Caan, Scott
| ( C )
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Cheadle, Don
| ( C )
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Clooney, George
| ( C )
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Garcia, Andy
| ( G )
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Zeta Jones, Catherine
| ( Z )
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Mac, Bernie
| ( M )
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Pitt, Brad
| ( P )
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Roberts, Julia
| ( R )
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Soderbergh, Steven
| ( S )
| Directors
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Action & Adventure
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( O )
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Similar Items:
- Ocean's Eleven (Widescreen Edition)
- The Bourne Supremacy (Widescreen Edition)
- The Bourne Identity (Widescreen Extended Edition)
- The Italian Job (Special Collector's Edition)
- Meet The Fockers (Widescreen Edition)
ASIN: B0007P0XBO
Release Date: 2005-04-12 |
Amazon.com
Like its predecessor Ocean's Eleven, Ocean's Twelve is a piffle of a caper, a preposterous plot given juice and vitality by a combination of movie star glamour and the exuberant filmmaking skill of director Steven Soderbergh (Out of Sight, The Limey). The heist hijinks of the first film come to roost for a team of eleven thieves (including the glossy mugs of Brad Pitt, Matt Damon, Bernie Mac, and Don Cheadle), who find themselves pursued not only by the guy they robbed (silky Andy Garcia), but also by a top-notch detective (plush Catherine Zeta-Jones) and a jealous master thief (well-oiled Vincent Cassel) who wants to prove that team leader Danny Ocean (dapper George Clooney) isn't the best in the field. As if all that star power weren't enough--and the eternally coltish Julia Roberts also returns as Ocean's wife--one movie star cameo raises the movie's combined wattage to absurd proportions. But all these handsome faces are matched by Soderbergh's visual flash, cunning editing, and excellent use of Amsterdam, Paris, and Rome, among other highly decorative locations. The whole affair should collapse under the weight of its own silliness, but somehow it doesn't--the movie's raffish spirit and offhand wit soar along, providing lightweight but undeniable entertainment. --Bret Fetzer
Description
They're back. And then some. Twelve is the new eleven when Danny Ocean and pals return in a sequel to the cool caper that saw them pull off a $160 million heist. But 160 million doesn't go as far as it used to. Not with everyone spending like sailors on leave. Not with a mysterious someone stalking Danny and crew. It's time to pull off another stunner of a plan?or plans. With locations including Amsterdam, Paris and Rome, the direction of Steven Soderbergh and the original cast plus Catherine Zeta-Jones and others, Twelve is your lucky number.
Customer Reviews:
should be retitled "Zeta-Jones's Twelve".......2007-06-13
The plot was slightly more serious in this film, and it was dominated by Pitt and Zeta-Jones (mostly Zeta-Jones). The main drawbacks for the sequel are that the heist is not the major focus, the "supporting" characters did not get the opportunity to play pivotal roles in the heist, and it lacked the lighthearted atmosphere and stylishness of the first film. While Catherine Zeta-Jones is a very lovely woman, I felt that her plot was dull, interesting and terribly predictable, and I despised her character as the foil. The sub-plot (the heist) and the other characters deserved more screen time because that is what made me love the first movie. Can't really say much more about the movie because it was utterly forgettable and a waste of time.
This is lazy `sequel' that tends to do nothing but bring back a bunch of celebrities.......2007-06-13
"Ocean's Twelve" faces the same difficulties as any sequel. By this I don't mean those movies that are essential components to trilogies that continue the story; I mean those movies that basically take an established cast and throw them in a completely new storyline. The problem is trying to meet the expectations of an audience that loved the first and wants a new movie to love for all the same reasons. So many people were disappointed to learn that "Ocean's Twelve" was not yet another heist movie.
This film had to be a sequel. The plot takes advantage of the relationships the characters developed in the first film, and throws in many subtle jokes the average viewer may miss if they don't listen closely. Some of the phrases like "thief a la mode" used in the film may require a bit of culture to appreciate. While Ocean's teams do work together in the same fashion as the first film, the thievery itself doesn't take the spotlight in the film. "Ocean's Eleven" was the traditional heist film in its plot development with its climax at the point of executing the plan. Ocean's Twelve breaks away from this formula in favor of developing opportunities for some great character interaction.
The film disappoints with many characters taking a back seat in their roles to such an extent that the film could have been named after Pitt's character, with the Benedict aftermath merely serving as a catalyst for the characters finding their way back together. However, it would have been unreasonable for all eleven original characters to share an equal share of the spotlight and still turn out as well. The story is more about Brad Pitt and Catherine Zeta-Jones than George Clooney and Julia Roberts. The rest of the cast perform very well and the guest-star appearances, including an unforgettable one by Bruce Willis, are hysterical. Half of the time I was unsure if the actors were even acting!! It appeared as if they were not even looking at the script, and instead talking amongst themselves like, "Hey, so how you've been?". "Oh, I `v been good, the kids at home are taking up a lot of my time, ya know". Come on now, really.
In the end, "Ocean's Twelve" is not a mere heist film but an Intelligent Comedy that may need to be watched more than once to appreciate some of the subtleties in the dialog. Just the amount of activity on this film's message board regarding some of the subtleties in the plot is a testament to the thought that went into making this film. Will "Ocean 13" rectify this, well I would have to go see it for myself.
Boring..........2007-06-11
The first movie was great! i loved it! I expected this to be as great as the first or maybe even greater but it failed to deliver. The plot was not great and it was kind of boring... But I was glad to see the actors come back for the sequel.
oh come on george clooney is in it.......2007-06-10
there were some good moments...definitely will watch it again
i never saw it on the big screen and i got myself a cheap copy and sat down and had myself an oceans marathon
the breakdancing/laser scene is pretty interesting and i will always love george
one of the worst sequels ever.......2007-06-09
an absolute waste of talent on this film...its so bad...i remember zeta-jones being fun to look at and also a cool cameo by bruce willis...but the heist was awful and that thief guy looks like a rat....some of the dialogue was funny but other than that this one's a yawner..bigtime
Average customer rating:
- Stone Cold
- Stone Cold w/ Tom Selleck
- Great little made for TV thriller starring Tom Selleck and Mimi Rogers!!!
- Very Pleased, Except
- TOM SELLECK - EXCELLENT FILM
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Stone Cold
Starring: Tom Selleck , Mimi Rogers , Jane Adams (II) , Reg Rogers , and Viola Davis
Director: Robert Harmon
Manufacturer: Sony Pictures
ProductGroup: DVD
Binding: DVD
General
| Action & Adventure
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| Video
Cops
| Crime
| Mystery & Suspense
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General
| Mystery & Suspense
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Davis, Viola
| ( D )
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McHattie, Stephen
| ( M )
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Rogers, Mimi
| ( R )
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Santis, Tony De
| ( S )
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| ( S )
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Shannon, Polly
| ( S )
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Snow, Victoria
| ( S )
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| ( H )
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Similar Items:
- Jesse Stone - Night Passage
- Jesse Stone - Death In Paradise
- Last Stand at Saber River
- Spenser For Hire - the Movie Collection
- Crossfire Trail
ASIN: B0009FU0ZQ
Release Date: 2005-06-28 |
Description
Tom Selleck is Jesse Stone, a former L.A. homicide detective who left behind the big city and an ex-wife to become the police chief of the quiet New England fishing town of Paradise, Massachusetts. Stone's old habits die hard as he continues to indulge in his two favorite things - scotch and women. When a series of murders take place, and a high school girl is raped, he's forced to face his own demons in order to solve the crimes.
Customer Reviews:
Stone Cold.......2007-06-27
My wife really loves Tom Selleck, so we really liked the movie. We ordered the other two in the series and are waiting for the forth one to come out on DVD. When it does, you can be sure that we will order it.
Stone Cold w/ Tom Selleck.......2007-06-27
This movie is well done and has a good story. IF you like the Spenser series and others by this author, you will enjoy the mystery plot. Tom Selleck has enhanced a good story, and plays the part of Sheriff Stone as one would imagine in reading the story.
Great little made for TV thriller starring Tom Selleck and Mimi Rogers!!!.......2007-05-24
This is a great little made for TV thriller starring Tom Selleck(Magnum P.I.)and Mimi Rogers(Austin Powers)!!! A modern day film noir thriller!!! Even though this is a made for TV movie,it has solid production values!!! A great little gem from beginning to end!!! Recommended for fans of thriilers and Tom Selleck!!! Five stars!!! A+
Very Pleased, Except.......2007-05-17
This is avery good and typical job of all Tom Selick's movies. He is one of the best. Could have done without the sex scenes. Would have made it an even better movie.
TOM SELLECK - EXCELLENT FILM.......2007-02-09
I agree whole heartedly with all the favourable comments. I really do hope they make more of these books and from viewing the special features on this dvd Mr. Selleck says that they have the go ahead to do more. Very good story - excellent acting throughout so please don't make us wait too long before film 2.
Average customer rating:
- Good Film
- The Godfather Part 15
- Follow the lines
- Exploding Heads and Naughty Words; Otherwise, an Utter Bore
- [Fart noise]
|
The Departed (Widescreen Edition)
Starring: Leonardo DiCaprio , Matt Damon , Jack Nicholson , Mark Wahlberg , and Martin Sheen
Director: Martin Scorsese
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD
General
| Drama
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Drama
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Gangsters
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Baldwin, Alec
| ( B )
| Actors & Actresses
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Caprio, Leonardo Di
| ( C )
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Corrigan, Kevin
| ( C )
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Dalton, Kristen
| ( D )
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Damon, Matt
| ( D )
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DiCaprio, Leonardo
| ( D )
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Nicholson, Jack
| ( N )
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Rolston, Mark
| ( R )
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Sheen, Martin
| ( S )
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Wahlberg, Mark
| ( W )
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Winstone, Ray
| ( W )
| Actors & Actresses
| Stores
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Scorsese, Martin
| ( S )
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Drama
| Warner Home Video
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Similar Items:
- Casino Royale (2-Disc Widescreen Edition)
- Babel
- Flags of Our Fathers (Widescreen Edition)
- Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)
- The Prestige
ASIN: B000M341QE
Release Date: 2007-02-13 |
Amazon.com
Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.
Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon
Description
Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate Costello's mob. While Billy is working to gain Costello's trust, another young cop, Colin Sullivan (Matt Damon) is among a handful of elite officers whose mission is to bring Costello down. But what his superiors don't know is that Colin is working for Costello, keeping the crime boss one step ahead of the police. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operation he has penetrated. But when it becomes clear to both the gangsters and the police that they have a mole in their midst, Billy and Colin find themselves in constant danger of being caught-and each must race to uncover the identity of the other man in time to save himself.
Customer Reviews:
Good Film.......2007-07-01
The Departed was good. But it was not the "best film" (that goes to Babel). But the acting was good and it was a fun movie to watch. Very gory and the ending is something shocking, but I liked it overall
The Godfather Part 15.......2007-06-28
I love Leonardo DiCaprio and Matt Damon and they both kicked butt in this movie, but haven't I seen this almost exact plot line before? I swear that the same idea's about the same gangster type deals are being recycled out in Hollywood. While this movie was fun to watch, the tired old "Godfather" act really losing it's touch. The original Godfather movies still hold up to today's crap, and even this is enjoyable, but PLEASE make some more unique films!!!
Follow the lines.......2007-06-27
This movie is great if you have about two hours to pay close attention. Compared to Goodfellas among other ganster movies it is a modern version. The cast is full of familiar faces and interesting swirls of how the individual characters connect. At the end your jaw will be in your lap!! You will not believe this ending! It's worth buying just to have in your collection, but even more so just to see the ending!!
Exploding Heads and Naughty Words; Otherwise, an Utter Bore.......2007-06-27
"The Departed" is garbage. I've seen more plot, and less bloodshed, in PETA slaughterhouse videos.
"The Departed"'s appeal is strictly to those who like watching heads explode on camera and think that if a movie uses every naughty word in the book -- in every line -- that makes it deep and profound. Anyone who swallowed "The Departed" needs to have his stomach pumped.
Good grief. Shakespeare, the Greek tragedies, classics like "The Third Man" would be lost on these people. As would a truly fine movie from 2006, "The Lives of Others", beside which "The Departed" looks, at best, amateurish and adolescent.
I want my money back. And I saw this movie for free.
I was so bored I started rearranging the groceries in my bag about ten minutes in. I looked at my watch at least half a dozen times. I thought up drinking games you could play every time Jack Nicholson utters the word *&^%.
Several characters are shot -- or dropped -- to death on camera. A man's eyes are poked out. One character is reduced to a drug dependent, quivering wreck. I didn't care.
I was amazed at how much I didn't care. I thought about why. I examined the desert emptiness of the script, other than for its resplendently brandished naughty words; reflected that the plot was so bankrupt it could be in chapter 11; I noted how absent characterization was, except to mete out how often each character said %$#^, or his posture when exploding a head.
I pondered gossip column narratives involving Alec Baldwin and remembered how cute Mark Wahlberg was in that Calvin Klein ad; I wondered if Leo were still dating the model.
An hour into the marathon that was this Guantanamo torture, I realized that I had been so pounded into boredom and apathy that the only thing that would have aroused me was if the entire oh-so-manly cast were, suddenly, to don black net hose and stilletoes, and sing the rest of their lines in Gilbert and Sullivan musical style.
I hoped against hope that Leslie Nielsen would appear and reveal the entire thing to be a very obscure farce whose humor would gel once Nielsen put it all into "Airplane"-esque perspective.
Was Martin Scorcese trying to prove his own manhood by creating a dystopic Disneyland in which every ride is manned by a cop or a mafioso exploding heads and blurting out swear words?
Scorcese insults manhood worse than Andrea Dworkin.
As for art? I guess Scorcese never heard the phrase, "less is more."
As it happens, I had just seen 1947's "The Third Man" the night before. "The Third Man" is black and white; its budget, compared to "The Departed"'s, was tiny. The cast, excepting Orson Welles, consisted of character actors or unknowns.
In "The Departed," Jack Nicholson, playing a Very Bad Man, toys with a severed human hand. What hits you is not the shock and awe the scene demands, but the pathos that the movie is so desperately needy for its audience to respond, and so without skill at provoking that response, that it resorts to the kind of gorey tricks a Halloween prankster would pull.
In "The Third Man," Orson Welles delivers "the cuckoo clock speech." All he does is talk -- and what he says chilled me and frightened me so thoroughly I'll never forget it.
Now *that's* a classic film.
"The Departed"? Garbage.
[Fart noise].......2007-06-23
I have just never responded to Scorsese [okay, I liked Kundun]. I just don't find much meaning in all that macho blustering, and I find his movies very unemotional and cold. I also just don't respond to gangster movies. I don't find them compelling at all. So this may account for my feeling of intense annoyance when walking out of The Departed.
The first 20 minutes are fantastic. Scorsese lays out the histories of Damon as Sullivan, being a good boy and rising up the police ranks while all the time beholden to Nicholson's Boston crime boss Costello. DiCaprio has a more troubled history [during which I was never convinced WHY he wanted to be a cop], but both of their stories are laid out in a very quick and energetic way. The friend I went with was talking about the quick, staccato editing here that "is almost like the intro to a TV show where they tell you what happened last week," but for me it really worked.
So Damon goes on this elite police force and DiCaprio is asked to go undercover with Costello. From there it's all Donnie Brasco, Donnie Brasco, Donnie Brasco [okay, there's one gangster movie I responded to], with the additional wrinkle of that both guys need to discover the identity of the other one. There are lots of near-misses, lots of one-person-relaying-information-while-the-other-is-too, and gallons of macho bluster and OTT mugging from Nicholson [who wasn't quite as bad with that as I expected]. There is funny faux-Mamet patter like Alec Baldwin quickly saying "I'm gonna go outside and get a smoke. You want a smoke? No? What are you, some kind of fitness freak? Go f*** yourself," or a guy, after being shot in the knee. Whining "I thought I was supposed to go into shock. I'm not in shock. It hurts!" that are amusing, but that's when you still believe that this story is going to come to something.
I can't even be bothered to talk about the many twists and turns, because in the end they turn out mostly to be just time-wasters, and as we headed into the last hour I started thinking "Why do we need this scene? This scene could go. And what about that scene before? That was just another version of the many scenes we've seen before" which is not something I think any filmmaker wants the audience to be concerned with while they're watching a film.
And finally, it just doesn't come to much. Maybe it's a case of my expectations; I thought we were building toward a big showdown between Damon and DiCaprio where they would really have at it, and then it's getting to be 30 minutes `til the end [I was definitely waiting], then 15 minutes `til the end.... And that's when I really started to turn against the movie. Which is not even to mention the overall dissatisfaction of the ending. I want to avoid giving anything away, but suffice to say that the thing I wanted to see, we did not see. And we saw a whole lot of something else that, yeah, I guess it's one worldview, but it's not a worldview I find particularly compelling or interesting. And it's kind of a worldview that you don't need two-and-a-half hours to express, and is probably why I was so bitter that I felt this movie wasted so much of my time... for that. But Scorsese seems to be unable to make a movie that is less than two-and-a-half hours, and if he did, well, how would we know that it's an important film?
My friend [who liked it a little more than I did] asked me "well, how is this different from De Palma?" [And I was indeed sitting there wishing De Palma had directed it instead.] My answer was, well, in De Palma there is emotional content that gives me something to get involved with, whereas with Scorsese it's all tough guy blather with a little emotional stuff [here, the psychologist] thrown in for a little color, but the focus is on the guns and the cell phones and the tension and just how very hard these guys are. Wow, they sure are hard, tough guys, Marty. Wow.
Secondly, when De Palma enters into a set-piece, the sense I get from what's on screen [and this is highly subjective, just my feeling] is that he's inviting you, the audience, to play along and he wants you to enjoy it. The sense I get with Scorsese is that he wants you to passively sit back and admire his skill. Add that to how cold I find his films, and the sense I get is of Scorsese casting himself as the tough guy through his show-offy-yet-stand-offish technique, just as his films are filled with tough guys that he is unable to be. Yeah, yeah, Marty, you're the man, okay? Now go be the man over there.
The final shot is a somewhat sledgehammer-subtle message that there will always be corruption in the highest offices of power. Is this a statement? Well, obviously it's a statement, but is it an interesting statement? Did we need a 150 minutes to tell us this? Especially given the current state of Congress?
Everyone else loves this film, so take that as you may. As I said, I just don't respond to gangster movies and I just don't respond to Scorsese movies. The performances here are all very good and it's certainly well made but... take a half hour off and I'd be fine. And change the ending.
Average customer rating:
- No shaun
- Laugh out loud
- Top Banana
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Hot Fuzz [HD DVD]
Starring: Jim Broadbent , Kenneth Cranham , Timothy Dalton , Julia Deakin , and Patricia Franklin
Director: Edgar Wright
Manufacturer: Universal Studios
ProductGroup: DVD
Binding: HD DVD
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ASIN: B000RJO58M
Release Date: 2007-07-31 |
Customer Reviews:
No shaun.......2007-06-30
Loved shaun of the dead. This one left me cold. Lousy script and halfwitted jokes. Too bad.
Laugh out loud.......2007-06-27
A hilarious buddy-cop film with Britain's best buds, Pegg and Frost. Set in a perfect sleepy country town, the action and edge to the film couldn't be more surprising. Hilarious-and-yet-sinister locals, straightman cop, you have to laugh out loud at the interaction. If you liked "Shaun of the Dead," you will love this latest feature by quite a creative team.
Top Banana.......2007-06-12
Nicholas Angel is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He's so good, he makes everyone else look bad. As a result, Angel's superiors send him to a place where his talents won't be quite so embarrassing - the sleepy and seemingly crime-free village of Sandford. Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman. The son of amiable Police Chief Frank Butterman, Danny is a huge action movie fan and believes his new big-city partner might just be a real-life "bad boy," and his chance to experience the life of gunfights and car chases he so longs for. Angel is quick to dismiss this as childish fantasy and Danny's puppy-like enthusiasm only adds to Angel's growing frustration. However, as a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny's dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality. It's time for these small-town cops to break out some big-city justice.
Average customer rating:
- How Did This Not Stay on the Air ?!?!?!?!?!?!?!?!
- A classic !
- frustration!
- The beginning of the Naked Gun Series
- Police Squad -- At Long Last
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Police Squad! The Complete Series
Starring: Police Squad
Manufacturer: Paramount
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ASIN: B000H7JCFK
Release Date: 2006-11-07 |
Amazon.com
In addition to spawning the popular Naked Gun movie franchise, Police Squad! had a lasting impact on TV comedy, and it's still a guilty pleasure. Hot from the success of Airplane! two years earlier, the ZAZ team (brothers David and Jerry Zucker and writing partner Jim Abrahams) decided to spoof TV cop shows, using the late '50s Lee Marvin series M Squad and the popular series format of Quinn Martin Productions (e.g., The Streets of San Francisco) as their template for supremely silly, gag-laden satire. With Airplane! star Leslie Nielsen as straight-faced detective Frank Drebin and Alan North as Drebin's befuddled boss, Capt. Ed Hocken, this half-hour series quickly established an irresistible combination of nonstop sight gags, non sequiturs, and repeated routines ("Cigarette?" "Yes, it is") that dared viewers to pay close attention or miss the laughs if they didn't. Ironically, this very quality--you had to actually watch the show instead of casually listening for punchlines--is what ultimately sealed the series' fate. After only six poorly rated episodes, Police Squad! was canceled without fanfare, and six years passed before Drebin returned as the bumbling hero of The Naked Gun.
Will all six episodes on one DVD, ZAZ fans can get reacquainted with a series that was arguably ahead of its time. In addition to the rib-tickling disparity between onscreen episode titles and narrated titles, and "special guest stars" (including William Shatner, Robert Goulet, Lorne Greene, and others) who get killed in the opening credits, loyal viewers could count on a weekly dose of hilarity from Nielsen, North, and their supporting players. Character actor William Duell appeared each week as shoeshine boy "Johnny the Snitch," capable of answering literally any question if you repeatedly greased his palm (a gag that led to info-seeking cameo appearances by Dick Clark, Dr. Joyce Brothers, baseball manager Tommy Lasorda, and others). And while original Mission: Impossible costar Peter Lupus poked fun at himself as the dim-witted Det. Norberg (later played by O.J. Simpson in the Naked Gun movies), Ed Williams--an actual high school science teacher--is hilarious as "Mr. Wizard"-like lab technician Ted Olson, who dispenses dubious science lessons to unsuspecting children. The fast-paced barrage of humor guaranteed that every episode would deliver as many hits as misses, and while some of the jokes have lost their punch, Police Squad! still delivers the belly-laughs... and always will, as long as humans have an appetite for shameless stupidity. --Jeff Shannon
On the DVD
Two episode commentaries by the Zucker brothers, Jim Abrahams, and producer Robert K. Weiss are good for a laugh, as the ZAZ team laughs at their own material and recalls the rigors of a 5-day shooting schedule, battles with network censors (also outlined in the revealing "Production Memo Highlights" feature), and the never-shown "celebrity guest death" of John Belushi, who actually died shortly after the gag was filmed. Comedian and writer Robert Wuhl's commentary is more autobiographical and somewhat perfunctory (he barely remembers the episode he wrote), but contains a few nuts-and-bolts details about the show's production. The 10-minute Leslie Nielsen interview shows the gracefully aging star in fine form as he recalls his affinity for the ZAZ brand of humor; the brief gag reel offers about a dozen on-set bloopers (several from crude workprint sources); "Behind the Freeze Frames" is an extended outtake to illustrate the elaborately faked "freeze frame" gag that ended each episode; and "Celebrity Death Shots" is a list of guest-star death gags proposed (and mostly used) for the series. Also included are casting tests for Alan North and Ed Williams, and an animated producers' photo gallery of Police Squad! sets, props, and scenery. --Jeff Shannon
Description
The satirical comedy "Police Squad" pits an ace detective and his captain (Leslie Nielsen & Alan North) against the criminal elements that befoul a big city. From the creators of "Airplane!".
Customer Reviews:
How Did This Not Stay on the Air ?!?!?!?!?!?!?!?!.......2007-06-28
In the past 20 years there's been a few great TV shows that really stand out. American Idol, Unwrapped (Food Network), and Police Squad. Although most people have heard of the first 2, Police Squad goes un-noticed. This show is what all comedy shows show at least strive to be! And it's actually funny!
Thankfully they made this into the 3 Naked Gun movies but this DVD is a steal for what you get and every episode is worth the price :)
A classic !.......2007-06-27
Finally Police Squad came out on DVD. It's ashame it only ran for 6 episodes...I remember watching it as a kid and just cracking up! It was way ahead of it's time for a TV series. Still hilarious 20 years later !
frustration!.......2007-06-11
I have seen this before as a video so i was really looking forward to it - however as i was sent a DVD which would only play in the US (despite thge fact that my delivery address is clearly in the UK) I have been unable to watch it!
The beginning of the Naked Gun Series.......2007-06-11
Naked Gun didn't start in the theater, it started on the small screen as a limited series one summer. I thought that I would never see these gems of spoof comedy again!! If you are a Leslie Nielson fan in the Naked Gun movies catch him in the beginning of the Frank Drebin role!! Eight 30 minute episodes of mayhem!
Police Squad -- At Long Last.......2007-06-11
I was under the weather and home ill for three weeks and seeing the first episode of this classic comedy series kept me going. Didn't miss one on the original run, but I don't think all six were aired. A couple of years ago I saw an episode of the old Lee Marvin "M-Squad" and realized where the opening sequence for Police Squad came from...complete with squealing tires arriving at the scene of the crime. Highly recommended. Great fun.
Average customer rating:
- Excellent Movie
- Robert Redford fans.
- Redford's Career
- Great movie
- THE LAST CASTLE
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The Last Castle
Starring: Paul Calderon , Jeremy Child , James Gandolfini , Delroy Lindo , and Frank Military
Manufacturer: Dreamworks Video
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ASIN: B00005JKNV
Release Date: 2002-03-05 |
Amazon.com
The Last Castle rides high on a wave of American patriotism, respectful of military service and protocol, and primed to ignite anyone's passion for justice against corrupted ideals. This intense prison drama begins when a court-martialed three-star general (Robert Redford) is sentenced to military prison for defying a presidential command. The prison's warden (James Gandolfini) is a jealous martinet who's never seen combat, and when the jailed general seizes command of the prison to protest the warden's abuse of power, The Last Castle erupts toward a classic showdown between integrity and cowardice. Former critic and West Point graduate Rod Lurie (The Contender) directs this intimate battle with manipulative skill, appealing more to emotions than intelligence, but his stellar cast keeps the action on track, and a potent script returns flag-waving to its rightful place of honor. --Jeff Shannon
Customer Reviews:
Excellent Movie.......2007-06-22
Robert Redford and James Gandolfini are excellent in this movie. It is probably not really believable, but great fun to watch. A 3-star general goes to prison and ultimately organizes the prisoners to justifiably take over the prison. Well written and well worth the watch.
Robert Redford fans........2007-05-07
This is a great movie but not recommended for children under age 15. A great performance by Robert Redford. This movie is about a prison. Well worth getting and watching. a real eye-opener to life in prison, not just the prisoners but the prison staff also.
Redford's Career.......2007-02-24
I liked this movies but I do think Robert Redford Needs to retire. He just looks old to be playing the age he played in this movie. Or they could have made him look older.
Great movie.......2007-01-11
This movie was sent quickly and in great shape. I am very satisfied with the product and would order form this distributor in the future.
THE LAST CASTLE.......2006-12-04
ALL IN ALL THIS IS A PRETTY GOOD MOVIE, I HAVE IT ON 'VHS' WISH I HAD THE DVD INSTEAD. GO BUY IT YOU ALL, YOU'LL NOT BE SORRY, THAT IS IF YOU LIKE THE MOVIE,.
Average customer rating:
- Classic action with a bit of substance
- "I Want to Nail Him"
- Pure Magic
- The Classic 70's Cop Movie (from 1968!)
- Excellent Action Film with Excellent Car Chase
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Bullitt
Starring: Steve McQueen , Robert Vaughn , Jacqueline Bisset , Don Gordon , and Robert Duvall
Director: Peter Yates
Manufacturer: Warner Home Video
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ASIN: 6304698526
Release Date: 1997-11-19 |
Amazon.com
San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon
Customer Reviews:
Classic action with a bit of substance.......2007-07-02
Bullitt is an intense and suspenseful crime drama that features the famous car chase through San Francisco.
Steve McQueen is memorable in the lead role, with excellent support from Don Gordon as his partner, Delgetti, and Robert Vaughn as the powerful 'good guy / bad guy'. Look also for Norman Fell in a smaller role as a hardened police captain and a younger Robert Duvall as a cab driver.
Most people remember Bullitt for its car chase sequence, for better or for worse. It's good fun with a number of known continuity errors (passing the green VW Beetle at least three times, as well as the white car (Pontiac?)) and that black Dodge Charger must have about eight hubcaps on it, I swear, since about four fall off and later they seem to be back on. (Or did cars have two sets of hubcaps as standard equipment back then?) ;-) In any case, it's a must-see for classic muscle car fans, and the best moments are the "you are there" moments filmed over the drivers' shoulders.
Beyond that, Bullitt's enduring charm is its heavy atmosphere, rather than its dialogue or character development. At times, it seems so real that it almost feels like a documentary. You are taken behind the scenes into the medical and police worlds of the late 1960's.
The plot has enough twists to keep you going. However, by today's standards, some of the scenes could've been left out. I realize that the film tries to show the main character as both a distant maverick as well as a human being, but a number of scenes and subplots could've been edited out in favor of a tighter plot. I mean, do we need to watch Bullitt in a restaurant or grocery shopping or in forced, flat dialogue with his lover? I felt that these moments detracted from the film, rather than adding to it.
The soundtrack works well for the era, as composed by Lalo Schifrin. The opening titles is one of my favorite movie themes. It's jazzy and it fits the film well.
My favorite part of the film is its opening sequence. The titles are blended in creatively with the plot, which begins immediately. That, with the already mentioned music, creates the most enduring impression with me.
Bullitt is not a perfect movie, and not quite the classic that some would make it to be, but it's definitely worth seeing and owning.
"I Want to Nail Him".......2007-06-11
I saw this again last night for the first time in years and it reensured what I believe all this time: "Bullitt" is the greatest movie I have ever seen in my life. It will take a long time for me to find a movie that can top this. Not only that, but "Bullitt" is the only movie I know that grabbed my heart and moved me deeply. As evident in the scene, my favorite in which Bullitt's girlfriend Cathy (Jacqueline Bisset-what a class act angel! She's a split image of what fellow Brit Keira Knightley is; as you know they both co-stared in "Domino" in which Bisset played Knightley's mother) discovers a dead woman strangled and half-naked and later on, Frank Bullitt (Steve McQueen) pulls the car over the side of the highway because he knows she is pissed. As she gets out of the car and goes into the grass field, Bullitt follows her. Then she speaks by saying "Do you let anything reach you? I mean, REALLY reach you? You think violence is a way of life. Living with violence and death". Speaking of that there is a revealing scene in which the witness is shot and eventually killed in the face. Revealing because that's how Martin Luther King died from in the same year of "Bullitt"'s release. The supporting cast is great which includes Robert Duvall as the cab driver, Simon Oakland, Norman Fell as the police caption, and last but not least Robert Vaughn as Walter Chalmers-the most evil villian I have ever seen in any movie. This is a man that hates blacks and the police (including Bullitt). The movie along with the car and airport chase is a true masterpiece.
Pure Magic.......2007-06-09
This film demonstrates to contemporary Hollywood just how to make a superb thriller without having an explosion every 5 minutes. You know its a classic from the opening shot. Lalo Schifrin's insistent theme kicks in over the credits and the rollercoaster ride starts.
McQueen is marvellous as a Frank Bullitt a no-nonsense, and somewhat rebellious detective who is having no truck with authority. Robert Vaughn, who I've always liked, but never really rated as an actor, is excellent here as Walter Charmers (who is anything but charming!). The scenes between him and McQueen are riveting. Theres the famous car chase of course, which is great, but watching it again recently, the thing that struck me was the completely realistic Hospital scenes. Its all very clinical if you'll excuse the pun.
On disc 1:
There is a commentary by the directory Peter Hyams and a trailer.
On Disc 2:
Documentary 1 'The Cutting Edge: The Magic Of Movie Editing' narrated by Kathy Bates
Documentary 2 'Steve McQueen: The Essence Of Cool' a film about McQueen.
3 'Bullitt: Steve McQueen's Commitment To Reality'.
Of the extras the commentary is probably the best bit, but the film itself is reason alone to buy these discs.
The Classic 70's Cop Movie (from 1968!).......2007-04-03
This was one of a handful of truly classic cop movies from the period. Not to be missed if only for one of the best chase scenes ever to make it to film. Steve McQueen is more Steve McQueen than usual; calm, cool and always in charge. If you liked the Dirty Harry series, the French Connection or the Seven Ups this is a must see. This version is also in Wide Screen (unlike the one I rented) and it's much better than the cut up for your TV version.
Excellent Action Film with Excellent Car Chase.......2007-04-02
Steve McQueen is possibly one of the coolest men of all time. His presence in a film is enough to make it great. Besides that, this film is well directed, well planned out. My major issue with the film is the plot can get a little murky at times and bogs down what is one fantastic action movie.
Average customer rating:
- long live Jack Nicholson!
- its just great
- Brilliant
- Another Asian Adaptation
- Not Best Picture, but great movie none the less.
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The Departed [Blu-ray]
Starring: Leonardo DiCaprio , Matt Damon , Jack Nicholson , and Mark Wahlberg
Director: Martin Scorsese
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: Blu-ray
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Similar Items:
- Casino Royale [Blu-ray]
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ASIN: B000M5AJQI
Release Date: 2007-02-13 |
Amazon.com
Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.
Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon
Description
Rookie cop Billy Costigan (Leonardo DiCaprio) grew up in crime. That makes him the perfect mole, the man on the inside of the mob run by boss Frank Costello (Jack Nicholson). It's his job to win Costello's trust and help his detective handlers (Mark Wahlberg and Martin Sheen) bring Costello down. Meanwhile, SIU officer Colin Sullivan (Matt Damon) has everyone's trust. No one suspects he's Costello's mole. How these covert lives cross, double-cross and collide is at the ferocious core of the widely acclaimed The Departed. Martin Scorsese directs, guiding a cast for the ages in a visceral tale of crime and consequences. This is searing, can't-look-away filmmaking: like staring into the eyes of a con - or a cop - with a gun.
Customer Reviews:
long live Jack Nicholson!.......2007-06-27
very good movie liked it very much. appreciate the work of Nicholson and the other actors I hope we will see much more of that great Actor.
The movie itself is a hell of a good movie when it comes to story good picture quality defenetly a buy.
its just great.......2007-05-31
i can only say that,i think im going to sell all my dvds...
Brilliant.......2007-05-29
This is one film where Jack Nicholson makes Al Pacino look elusive to be a Mafia Leader, it's very realistic and diferrent than other mafia films where all the killings take place in the end.
Another Asian Adaptation.......2007-05-17
Adapted from the chinese movie trilogy "Infernal Affairs". This movie is a very good piece of cinematic art. It does not quite measure up to the orignals standards , but with with the new cast and the new writing it is worthy of 4 out of 5 stars.
Not Best Picture, but great movie none the less........2007-05-13
I was completely expecting to be blown away by this movie, based on all the academy hype. "The Departed" has an excellent cast, and they all did an excellent and convincing job acting their roles. The Blu-ray image quality is fantastic, and helps to bring an extra sense of realism to the story.
I highly recommend this film based on it's own merits. Expecting something more, may only leave you disappointed.
Average customer rating:
- Good Film
- The Godfather Part 15
- Follow the lines
- Exploding Heads and Naughty Words; Otherwise, an Utter Bore
- [Fart noise]
|
The Departed (Full Screen Edition)
Starring: Leonardo DiCaprio , Matt Damon , Jack Nicholson , Mark Wahlberg , and Martin Sheen
Director: Martin Scorsese
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD
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Baldwin, Alec
| ( B )
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Caprio, Leonardo Di
| ( C )
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Corrigan, Kevin
| ( C )
| Actors & Actresses
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Dalton, Kristen
| ( D )
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Damon, Matt
| ( D )
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DiCaprio, Leonardo
| ( D )
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Nicholson, Jack
| ( N )
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Rolston, Mark
| ( R )
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Sheen, Martin
| ( S )
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Wahlberg, Mark
| ( W )
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Winstone, Ray
| ( W )
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Scorsese, Martin
| ( S )
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- The Prestige
ASIN: B000M341QO
Release Date: 2007-02-13 |
Amazon.com
Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.
Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon
Description
Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate Costello's mob. While Billy is working to gain Costello's trust, another young cop, Colin Sullivan (Matt Damon) is among a handful of elite officers whose mission is to bring Costello down. But what his superiors don't know is that Colin is working for Costello, keeping the crime boss one step ahead of the police. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operation he has penetrated. But when it becomes clear to both the gangsters and the police that they have a mole in their midst, Billy and Colin find themselves in constant danger of being caught-and each must race to uncover the identity of the other man in time to save himself.
Customer Reviews:
Good Film.......2007-07-01
The Departed was good. But it was not the "best film" (that goes to Babel). But the acting was good and it was a fun movie to watch. Very gory and the ending is something shocking, but I liked it overall
The Godfather Part 15.......2007-06-28
I love Leonardo DiCaprio and Matt Damon and they both kicked butt in this movie, but haven't I seen this almost exact plot line before? I swear that the same idea's about the same gangster type deals are being recycled out in Hollywood. While this movie was fun to watch, the tired old "Godfather" act really losing it's touch. The original Godfather movies still hold up to today's crap, and even this is enjoyable, but PLEASE make some more unique films!!!
Follow the lines.......2007-06-27
This movie is great if you have about two hours to pay close attention. Compared to Goodfellas among other ganster movies it is a modern version. The cast is full of familiar faces and interesting swirls of how the individual characters connect. At the end your jaw will be in your lap!! You will not believe this ending! It's worth buying just to have in your collection, but even more so just to see the ending!!
Exploding Heads and Naughty Words; Otherwise, an Utter Bore.......2007-06-27
"The Departed" is garbage. I've seen more plot, and less bloodshed, in PETA slaughterhouse videos.
"The Departed"'s appeal is strictly to those who like watching heads explode on camera and think that if a movie uses every naughty word in the book -- in every line -- that makes it deep and profound. Anyone who swallowed "The Departed" needs to have his stomach pumped.
Good grief. Shakespeare, the Greek tragedies, classics like "The Third Man" would be lost on these people. As would a truly fine movie from 2006, "The Lives of Others", beside which "The Departed" looks, at best, amateurish and adolescent.
I want my money back. And I saw this movie for free.
I was so bored I started rearranging the groceries in my bag about ten minutes in. I looked at my watch at least half a dozen times. I thought up drinking games you could play every time Jack Nicholson utters the word *&^%.
Several characters are shot -- or dropped -- to death on camera. A man's eyes are poked out. One character is reduced to a drug dependent, quivering wreck. I didn't care.
I was amazed at how much I didn't care. I thought about why. I examined the desert emptiness of the script, other than for its resplendently brandished naughty words; reflected that the plot was so bankrupt it could be in chapter 11; I noted how absent characterization was, except to mete out how often each character said %$#^, or his posture when exploding a head.
I pondered gossip column narratives involving Alec Baldwin and remembered how cute Mark Wahlberg was in that Calvin Klein ad; I wondered if Leo were still dating the model.
An hour into the marathon that was this Guantanamo torture, I realized that I had been so pounded into boredom and apathy that the only thing that would have aroused me was if the entire oh-so-manly cast were, suddenly, to don black net hose and stilletoes, and sing the rest of their lines in Gilbert and Sullivan musical style.
I hoped against hope that Leslie Nielsen would appear and reveal the entire thing to be a very obscure farce whose humor would gel once Nielsen put it all into "Airplane"-esque perspective.
Was Martin Scorcese trying to prove his own manhood by creating a dystopic Disneyland in which every ride is manned by a cop or a mafioso exploding heads and blurting out swear words?
Scorcese insults manhood worse than Andrea Dworkin.
As for art? I guess Scorcese never heard the phrase, "less is more."
As it happens, I had just seen 1947's "The Third Man" the night before. "The Third Man" is black and white; its budget, compared to "The Departed"'s, was tiny. The cast, excepting Orson Welles, consisted of character actors or unknowns.
In "The Departed," Jack Nicholson, playing a Very Bad Man, toys with a severed human hand. What hits you is not the shock and awe the scene demands, but the pathos that the movie is so desperately needy for its audience to respond, and so without skill at provoking that response, that it resorts to the kind of gorey tricks a Halloween prankster would pull.
In "The Third Man," Orson Welles delivers "the cuckoo clock speech." All he does is talk -- and what he says chilled me and frightened me so thoroughly I'll never forget it.
Now *that's* a classic film.
"The Departed"? Garbage.
[Fart noise].......2007-06-23
I have just never responded to Scorsese [okay, I liked Kundun]. I just don't find much meaning in all that macho blustering, and I find his movies very unemotional and cold. I also just don't respond to gangster movies. I don't find them compelling at all. So this may account for my feeling of intense annoyance when walking out of The Departed.
The first 20 minutes are fantastic. Scorsese lays out the histories of Damon as Sullivan, being a good boy and rising up the police ranks while all the time beholden to Nicholson's Boston crime boss Costello. DiCaprio has a more troubled history [during which I was never convinced WHY he wanted to be a cop], but both of their stories are laid out in a very quick and energetic way. The friend I went with was talking about the quick, staccato editing here that "is almost like the intro to a TV show where they tell you what happened last week," but for me it really worked.
So Damon goes on this elite police force and DiCaprio is asked to go undercover with Costello. From there it's all Donnie Brasco, Donnie Brasco, Donnie Brasco [okay, there's one gangster movie I responded to], with the additional wrinkle of that both guys need to discover the identity of the other one. There are lots of near-misses, lots of one-person-relaying-information-while-the-other-is-too, and gallons of macho bluster and OTT mugging from Nicholson [who wasn't quite as bad with that as I expected]. There is funny faux-Mamet patter like Alec Baldwin quickly saying "I'm gonna go outside and get a smoke. You want a smoke? No? What are you, some kind of fitness freak? Go f*** yourself," or a guy, after being shot in the knee. Whining "I thought I was supposed to go into shock. I'm not in shock. It hurts!" that are amusing, but that's when you still believe that this story is going to come to something.
I can't even be bothered to talk about the many twists and turns, because in the end they turn out mostly to be just time-wasters, and as we headed into the last hour I started thinking "Why do we need this scene? This scene could go. And what about that scene before? That was just another version of the many scenes we've seen before" which is not something I think any filmmaker wants the audience to be concerned with while they're watching a film.
And finally, it just doesn't come to much. Maybe it's a case of my expectations; I thought we were building toward a big showdown between Damon and DiCaprio where they would really have at it, and then it's getting to be 30 minutes `til the end [I was definitely waiting], then 15 minutes `til the end.... And that's when I really started to turn against the movie. Which is not even to mention the overall dissatisfaction of the ending. I want to avoid giving anything away, but suffice to say that the thing I wanted to see, we did not see. And we saw a whole lot of something else that, yeah, I guess it's one worldview, but it's not a worldview I find particularly compelling or interesting. And it's kind of a worldview that you don't need two-and-a-half hours to express, and is probably why I was so bitter that I felt this movie wasted so much of my time... for that. But Scorsese seems to be unable to make a movie that is less than two-and-a-half hours, and if he did, well, how would we know that it's an important film?
My friend [who liked it a little more than I did] asked me "well, how is this different from De Palma?" [And I was indeed sitting there wishing De Palma had directed it instead.] My answer was, well, in De Palma there is emotional content that gives me something to get involved with, whereas with Scorsese it's all tough guy blather with a little emotional stuff [here, the psychologist] thrown in for a little color, but the focus is on the guns and the cell phones and the tension and just how very hard these guys are. Wow, they sure are hard, tough guys, Marty. Wow.
Secondly, when De Palma enters into a set-piece, the sense I get from what's on screen [and this is highly subjective, just my feeling] is that he's inviting you, the audience, to play along and he wants you to enjoy it. The sense I get with Scorsese is that he wants you to passively sit back and admire his skill. Add that to how cold I find his films, and the sense I get is of Scorsese casting himself as the tough guy through his show-offy-yet-stand-offish technique, just as his films are filled with tough guys that he is unable to be. Yeah, yeah, Marty, you're the man, okay? Now go be the man over there.
The final shot is a somewhat sledgehammer-subtle message that there will always be corruption in the highest offices of power. Is this a statement? Well, obviously it's a statement, but is it an interesting statement? Did we need a 150 minutes to tell us this? Especially given the current state of Congress?
Everyone else loves this film, so take that as you may. As I said, I just don't respond to gangster movies and I just don't respond to Scorsese movies. The performances here are all very good and it's certainly well made but... take a half hour off and I'd be fine. And change the ending.
DVD:
- Charlie Chaplin, Vol. 1 (REGION 1) (NTSC)
- My Blue Heaven/Mickey Blue Eyes [2 Discs] (REGION 1) (NTSC)
- Baton Baton Mein [1979]
- Dancer, Texas Pop. 81 (REGION 1) (NTSC)
- Joseph Schmidt: Star Fell from Heaven (REGION 1) (NTSC)
- Balcony
- Dil Bechara Pyaar Ka Maara [2004]
- Tierra [1997]
- Shot in the Dark (REGION 1) (NTSC)
- Police Academy 7 [1994]
DVD
DVD
Smooth Talk
Ray Bryant : DVD
Mary Higgins Clark: Mystery Movie Collection [6 Discs] (REGI
DVD: Ultimate Weapon
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